The record eventually became one of the era's defining recordings. In July 2006, a Ventura, California, jury unanimously held that Keyes was entitled to almost one-half of Shaw's estate or $1,420,000. His tone, his choice of notes, and his virtuosity all seemed to come together in one lyrical moment, rarely matched by other musicians. He formed and dissolved groups several times throughout the 30s and 40s, his last organisation being a short-lived band playing bop-style jazz in 1949. [2], Shaw also recorded with small jazz groups drawn from within the ranks of the various big bands he led. After 18 months playing for Navy personnel (sometimes as many as four concerts a day in battle zones, including Guadalcanal). His 1940 recording of "Stardust" was used in its entirety in the closing credits of the film The Man Who Fell to Earth. "Benny Goodman played clarinet. His music influenced other musicians, such as Monty Norman in England, with the vamp of the James Bond Theme, possibly influenced by 1938's "Nightmare". While taking a few months vacation in the spring of 1941 to reassess what to do next, Shaw recorded in another small group format with three horns and a four-man rhythm section with the addition of a dozen strings and. Artie Shaw (born Arthur Jacob Arshawsky; May 23, 1910 – December 30, 2004) was an American clarinetist, composer, bandleader, actor and author of both fiction and non-fiction. His hits from this hand were Stardust, Frenesi, Moonglow, and Dancing in the Dark. On some of the sides, Tormé was also featured with his vocal group the Meltones. I flipped over it! Tommy Dorsey & Frank Sinatra - I'll Never Smile Again Frenesi was the #2 song in 1940 in the Pop charts. [5], He was an innovator in the big band idiom, using unusual instrumentation; "Interlude in B-flat", where he was backed with only a rhythm section and a string quartet, was one of the earliest examples of what would be later dubbed Third Stream. Canadian filmmaker Brigitte Berman interviewed Hoagy Carmichael, Doc Cheatham, and others including Shaw for her documentary film, Bix: Ain't None of Them Play Like Him Yet (1981) about Bix Beiderbecke, and afterward she went on to create an Academy Award-winning documentary, Artie Shaw: Time Is All You've Got (1985), featuring extensive interviews with Shaw, Buddy Rich, Mel Tormé, Helen Forrest, and other musicians, in addition to Shaw's eighth wife, actress Evelyn Keyes. You have to be Lawrence Welk or, on another level, Irving Berlin, and write the same kind of music over and over again. On December 7, three months into the tour, the 31-piece band was in the midst of a matinee performance in Providence, Rhode Island, when he was given a note about the Japanese bombing of Pearl Harbor. Widely regarded as "one of jazz's finest clarinetists",[1] Shaw led one of the United States' most popular big bands in the late 1930s through the early 1940s. 1999 Preview SONG TIME The Last Two Weeks In July ... More by Artie Shaw. [5] Shaw broadcast on CBS from November 20, 1938 until November 14, 1939. 2:13 Shaw's line climaxes on a dramatic high note. He used the morose "Nightmare", with its Hasidic nuances, as his theme rather than choosing a more accessible song. To continue playing would be a disservice. He died on December 30, 2004, aged 94. Get the best deal for Music Album CDs Artie Shaw from the largest online selection at eBay.com. Returning to New York, he became a session musician through the early 1930s. In fact, Shaw had long been suffering from diabetes. [29], Longtime Duke Ellington clarinetist Barney Bigard cited Shaw as his favorite clarinet player. | Free shipping on many items! Shop with confidence. While still in his teens he formed his first band, the Bellevue Ramblers which performed at local gigs. This is a recording of Artie Shaw and his orchestra preforming \"Stardust\" live in 1940. The film garnered him two Oscar nominations for Best Score and Best Song ("Love of My Life"). At the Cafe Rouge he quit his band that week and went to Mexico. Throughout his career, Shaw had a habit of forming bands, developing them according to his immediate aspirations, making a quick series of records, and then disbanding. The war years were not especially rewarding although he briefly led the Bobby Byrne Orchestra when Byrne was called up for military duty. On these Musicraft recordings in 1946 Shaw featured the young singer Mel Tormé. In 1940, before eloping with Lana Turner, Shaw briefly dated actresses Betty Grable and Judy Garland[23] and, according to Tom Nolan's biography, had an affair with Lena Horne. The song's original recording was by Hoagy Carmichel and his orchestra also in 1927. The version here by the 1938 band is far better. His rendition of "Begin the Beguine" is the one everybody remembers and set the gold standard for that song. Returning to New York, he became a session musician through the early 1930s. | Browse our daily deals for even more savings! He explained to a reporter, "In the world we live in, compulsive perfectionists finish last. He collaborated on the love song "If It's You," sung by Tony Martin in the Marx Brothers' film, The Big Store (… Shaw was also a precision marksman, ranking fourth in the United States in 1962,[5] and an expert fly fisherman. Artie Shaw kept his third jazz orchestra (his Stardust band) together into early 1941 before he decided to break it up. The result was the hit "Frenesi". Arthur Jacob Arshawsky was born on May 23, 1910, in New York City, he was the son of Sarah (née Strauss) and Harold "Harry" Arshawsky, a dressmaker and photographer. Arthur Jacob Arshawsky (1910-2004), commonly known as Artie Shaw, was an American clarinetist, composer, and band leader. The film garnered him two Oscar nominations for Best Score and Best Song ("Love of My Life"). In 1932, Shaw joined the Roger Wolfe Kahn Orchestra and made several recordings with the outfit including "It Don't Mean a Thing (If It Ain't Got That Swing)" and "Fit as a Fiddle". At 16, he switched to the clarinet and left home to tour with a band. On the one hand, much of the music Shaw made during the swing era was wonderful, indeed great. People rave about Artie's recording of 'Stardust' made in 1940 with his band with strings. [19] He collaborated on the love song "If It's You", sung by Tony Martin in the Marx Brothers' film The Big Store (1941). Browse 147 lyrics and 1029 Artie Shaw albums. In 1950, he was a mystery guest on What's My Line? "Artie Shaw, 94: Top bandleader of swing era". Artie and the band were featured in the 1939 movie Dancing Coed. He would, however, show up on occasion "just to hear how things sounded". 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Wadler, Joyce. Shaw's music library, which was the product of his almost 20 years of activity in the music business, contained numerous arrangements of monumental status of popular music in addition to many original big band jazz compositions of the era. Artie Shaw, an American Original Clarinetist, composer and bandleader Artie Shaw was a true American original. In August 1945 his contract with RCA ended and he signed with an independent label, Musicraft. He continued to record for RCA Victor, as he had before the war, and limited the band's personal appearances to military bases in California. Artie Shaw, the well known clarinet player and Big Band leader came to Townsville. From 1925–36, Shaw performed with many bands and orchestras; from 1926 to 1929, he worked in Cleveland and established a lasting reputation as music director and arranger for an orchestra led by the violinist Austin Wylie. It is today known as one of the greatest jazz songs of all time. He organized a band that was modeled after his swing band concept of the late 1930s with the addition of six violins, two violas, and one cello. Arthur Jacob Arshawsky (1910-2004), commonly known as Artie Shaw, was an American clarinetist, composer, and band leader. "Swing Bandleader, Clarinetist Artie Shaw Dies", University of Arizona: Artie Shaw Collection, This page was last edited on 22 December 2020, at 00:17. In 1935, he first gained attention with his "Interlude in B-flat" at a swing concert at the Imperial Theater in New York. [13] He acted on the show as a love interest for Gracie Allen, although he disliked having to be a part of the celebrity culture of the period.[14]. Following the breakup of that band, he began to focus on other interests and gradually withdrew from the world of being a professional musician and major celebrity, although he remained a force in popular music and jazz before retiring from music completely in 1954.[3]. [8], Like his main rival,[9] Benny Goodman, and other leaders of big bands, Shaw fashioned a smaller "band within the band" in 1940. "[17] Shaw's short stories, including "Snow White in Harlem", were collected in The Best of Intentions and Other Stories (1989). The Gramercy Five's biggest hit was "Summit Ridge Drive",[10] one of Shaw's million-selling singles. In 1929 and 1930, he played with Irving Aaronson's Commanders, where he was exposed to symphonic music, which he would later incorporate in his arrangements. "[16] He turned to semi-autobiographical fiction with the three short novels in I Love You, I Hate You, Drop Dead! As the audience left, he knew the band was coming to an end. [22] He had two sons, Steven Kern (by Betty Kern) and Jonathan Shaw (by Doris Dowling). The documentary ends with Shaw rehearsing his new band with co-leader Johnson present and rolls to credits perhaps quite fittingly with the band taking a final segue to Shaw's theme song Nightmare. His last major interview was in 2003, when he was interviewed by Russell Davies for the BBC Television documentary, Artie Shaw – Quest for Perfection. [4] Shaw grew up in New Haven, Connecticut, where his natural introversion was deepened by local antisemitism. He was the headliner of a radio series with comedian Robert Benchley as emcee. “Star Dust” (1940) Artie Shaw The story: It is always challenging to write objectively and accurately about Artie Shaw’s music and personality. [citation needed], A self-proclaimed "very difficult man",[21] Shaw was married eight times. Shaw broke up the Hollywood band, keeping a nucleus of seven musicians in addition to himself, and filled out the ensemble with New York musicians until March 1941. \"Stardust\" was a song written by Hoagy Carmichael and Mitchell Parish in 1927. [citation needed]. Shaw bought a saxophone by working in a grocery store and began learning the saxophone at 13. The band was showcased on the Burns and Allen program every week. Once the Swing era took hold, Benny Goodman, Artie Shaw and Tommy Dorsey all recorded the song. "[18] He spent the rest of the 1950s living in Europe. He was hired as bandleader for the Burns and Allen Show broadcast from Hollywood. After completing that tour Shaw stopped playing the clarinet, citing his own perfectionism, which, he later said, would have killed him. Shaw enters for his solo, with a highly decorated version of the melody, moving into double time. I'm not able to do that, and I have taken the clarinet as far as anyone can possibly go. Artie Shaw, Soundtrack: Second Chorus. In 1985, another week-long series of strenuous rehearsals followed during which Shaw added more repertoire, including many arrangements and compositions that were from the later years of his career Shaw had never recorded. [25] In 1953, Shaw was forced to testify before the House Un-American Activities Committee for his leftist activities. His autobiography, The Trouble With Cinderella: An Outline of Identity, was published in 1952 (with later reprint editions in 1992 and 2001). [15] After the war, the popularity of big bands declined, as Crooners and Bebop began to dominate the charts. She died less than two years later from cancer. He subsequently joined Artie Shaw's new string orchestra in Hollywood in October 1940 and again his solo on Shaw's famous "Stardust" recording reaffirmed his artistry. In 1932, Shaw joined the Roger Wolfe KahnOrche… Today Shaw is remarked as one of jazz's finest clarinetists. In 2000, filmmaker Ken Burns interviewed Shaw at his home for his PBS documentary/miniseries Jazz where Shaw appears in multiple segments. He worked for years on his 1000-page autobiographical novel, The Education of Albie Snow, but the three-volume work remained unpublished. [28], In response to Benny Goodman's nickname, the "King of Swing", Shaw's fans dubbed him the "King of the Clarinet". Notable players in this band, playing the solos on Stardust, were Billy Butterfield on trumpet and Jack Jenny on trombone. Artie Shaw played ukulele at ten and began as an alto saxophonist at the age of twelve. [20] During the 1970s he made appearances on The Mike Douglas Show and The Tonight Show with Johnny Carson. [8] His incorporation of stringed instruments could be attributed to the influence of the classical composer Igor Stravinsky. Artie Shaw Top Songs in the Charts Top One Hit Wonders of the 1940s Top Pop One Hit Wonders Stardust was the #3 song in 1941 in the Pop charts . He made a few records for Musicraft before the band broke up, and all of the recordings for Musicraft from 1946 were staffed by top-notch session musicians. During his self-imposed "sabbaticals" from the music business, his interests included studying advanced mathematics, as cited in Karl Sabbagh's The Riemann Hypothesis.[24]. After 18 months playing for Navy personnel, (sometimes as many as four concerts a day in battle zones, including Guadalcanal), Shaw returned to the U.S. in a state of physical exhaustion and received a medical discharge. Shaw made several musical shorts in 1939 for Vitaphone and Paramount Pictures. This CD starts out with the last three titles that Shaw cut on May 13, 1940, with a studio … Complete your The Poll Winners Of 1940 - Glenn Miller Tommy Dorsey Harry James Benny Goodman Artie Shaw Jimmy Dorsey collection. The 58-year-old Johnson, an accomplished woodwind and saxophonist and native of Brockton, Massachusetts, was no stranger to jazz having recorded numerous albums of his own and had idolized Shaw's playing throughout his life. The documentary includes interviews with surviving members of his original bands, Johnson, and other music industry professionals. Then Jenney himself was called by the US Navy to lead a service band. Comment below with facts and trivia about the song and we may include it in our song facts! The song was performed by Artie Shaw. During World War II, Shaw enlisted in the United States Navy and shortly after formed a band, which served in the Pacific theater (just as Glenn Miller's wartime band served in the UK and Europe). "Artie Shaw's ex-wife gets half of estate", Learn how and when to remove this template message, It Don't Mean a Thing (If It Ain't Got That Swing), "A short history of… "Nightmare" (Artie Shaw, 1936)", "Artie Shaw Biography Songwriter (1910–2004)", "JAZZ A Film By Ken Burns: Selected Artist Biography – Artie Shaw", "At Home with: Artie Shaw; Literary Life, After Ending the Beguine", "Books by Artie Shaw- I Love You, I Hate You, Drop Dead! [30], American clarinetist, composer, and bandleader. The family was Jewish; his father was from Russia, his mother from Austria. Billy Ward and the Dominoes took the song to #12 US in 1957, and that same year Nat King Cole's version hit #79 US and #24 UK. The band continued without him into January but eventually broke up. [citation needed], Apart from his interest in music, Shaw had a tremendous intellect and almost insatiable thirst for intellectual knowledge and literature. In 1994, he told Frank Prial of The New York Times, "I thought that because I was Artie Shaw I could do what I wanted, but all they wanted was 'Begin the Beguine'".[12]. It did not include any strings and was based in Hollywood, California, where Shaw was living. Find great deals on eBay for artie shaw. and on August 31, 1952, was part of the panel. In 1946, Shaw was present at a meeting of the Independent Citizens' Committee of the Arts, Sciences and Professions. 2:46 C He served in the US Navy from 1942 to 1944, (during which time he led a morale-building band that toured the South Pacific amidst the chaos of World War II) and, following his discharge in 1944, he returned to lead a band through 1945. Strings gave him a wider tonal palette and allowed him to concentrate on ballads rather than the fast dance songs of the swing era. In 1929 and 1930, he played with Irving Aaronson's Commanders, where he was exposed to symphonic music, which he would later incorporate in his arrangements. Monday, January 11, 2016 Artie Shaw's Enduro Reed and the Classic 1940 "Stardust" Solo Artie Shaw's chorus on "Star Dust" in 1940 is one of those rare solos people list among the most important ever recorded. Martin Scorsese also used the Shaw theme song, "Nightmare", in his Academy Award-winning Howard Hughes biopic, The Aviator. Shaw's contract was renewed for another 13 weeks when the program was moved to New York. He portrayed himself in the Fred Astaire film, Second Chorus (1940), which featured Shaw and his orchestra playing Concerto for Clarinet, and his 1940–41 Hollywood period Star Dust band can be heard throughout the soundtrack. 2:02 B As Shaw begins exploring the chords through harmonic improvisation, his line becomes a string of eighth notes. TYhroughout Helen Forrest is in good voice and had clearly learned from Billie Holiday during the brief time they were both with Artie. Throughout the autumn and winter of 1938, he was often heard from the Blue Room of the Hotel Lincoln in New York. "Artie Shaw, Without Music". His controlling nature and incessant verbal abuse drove Turner to have a nervous breakdown, soon after which she divorced him. [11], The long series of musical groups Shaw formed included Billie Holiday, Lena Horne, Helen Forrest, Mel Tormé, Buddy Rich, Dave Tough, Barney Kessel, Jimmy Raney, Tal Farlow, Dodo Marmarosa, and Ray Conniff. Revealing downbeat elements of the music business, Shaw explained that "the trouble with Cinderella" is "nobody ever lives happily ever after. [citation needed], In 1938, Down Beat magazine readers voted Artie Shaw's the best swing band. ... (23 May 1910 – 30 December 2004), better known as Artie Shaw, was an accomplished jazz alto saxophonist, clarinetist, composer, arranger, bandleader, and author. The addition of a string section to a popular big band was not novel, as it had been done by Paul Whiteman and others since the 1920s. While Shaw enjoyed success with a number of hit recordings, no doubt his most popular was a 1940 recording of Hoggy Carmichael’s “Stardust”, which came just two years after Shaw’s first big hit, Cole Porter’s “Begin the Beguine”. The show was well received, but was forced to dissolve in 1937 because his band's sound was not commercial. After touring in 1939, he led the house band at the Cafe Rouge of the Hotel Pennsylvania in New York. [27], In 1980, Shaw donated his papers, most of which amounted to his music library of over 700 scores and parts and approximately 1,000 pieces of sheet music, to Boston University. Artie Shaw song lyrics collection. In 1940, at the height of his popularity, the 30-year-old Shaw earned up to $60,000 per week. The big band was back in the studio, this time including strings. [26] In 2005, Shaw's eighth wife, Evelyn Keyes, filed suit, claiming she was entitled to one-half of Shaw's estate, pursuant to a contract to make a will between them. His last prewar band, organized in September 1941, included Oran "Hot Lips" Page, Max Kaminsky, Georgie Auld, Dave Tough, Jack Jenney, Ray Conniff and Guarnieri. Artie Shaw (born May 23, 1910, New York City, New York, USA - died December 30, 2004, Thousand Oaks, California, USA) was an American clarinetist and bandleader. It was a collection of music arranged by some of the foremost composer/arrangers of the period, much of which was sketched out by Shaw himself and filled in and completed by his orchestrator/arranger collaborators, among them Jerry Gray, William Grant Still, Lennie Hayton, Ray Conniff, Eddie Sauter, and Jimmy Mundy, to name a few. After Shaw returned from Mexico in 1940, and still under contract to RCA Victor, he experimented with a group of session musicians in Hollywood, trying to combine strings and woodwinds with a jazz band. In 1940, the original Gramercy Five pressed eight records, then Shaw dissolved the band in early 1941. He generally did not stick around long enough to reap his bands' successes through live performances of their recorded hits. Shaw credited his time in the Navy from 1942 to 1944 as a period of renewed introspection. (1965, reprinted in 1997), which prompted Terry Southern's comment: "Here is a deeply probing examination of the American marital scene. 1940: Shaw recorded and toured with a large band with a string section added. Shaw made several musical shorts in 1939 for Vitaphone and Paramount Pictures. The committee was investigating a peace activist organization, the World Peace Council. The song was performed by Artie Shaw . He felt the titles should be reversed. Soundtrack | Actor Artie Shaw started his first swing band in 1936. Freedland, Michael. 2:24 A. Shaw appeared with the band throughout its first few years, limiting his role to being its conductor and front man, while leaving the clarinet playing duties to Johnson. I played music," he said. The note instructed him to tell military personnel to return to their bases. In 1983, after years of prodding by Williard Alexander, the 73-year-old Shaw organized a band and selected clarinetist Dick Johnson as bandleader and soloist. Many of his recordings have been used in motion pictures. In 1991, the collection was transferred to the School of Music of the University of Arizona in Tucson. His first public appearance leading his own band was in his native New York City on the 24th of May, 1936 and he became one of the biggest names in jazz and popular music during the late 1930's and 1940's swing heyday. From 1925–36, Shaw performed with many bands and orchestras; from 1926 to 1929, he worked in Cleveland and established a lasting reputation as music director and arranger for an orchestra led by the violinist Austin Wylie. “Stardust” looms large in the Sinatra legend — it was the first song he ever sang with Harry James’ orchestra, and he would record it several times over the course of his storied career. Shaw updated the idea with the music trends of the 1940s. "'Jazz is like jumping off a cliff'". Product description Among the big band leaders of the 1930s and '40s, Artie Shaw was considered one of the most innovative and creative. Though he had numerous hit records, he was perhaps best known for his 1938 recording of Cole Porter's "Begin the Beguine." His best-known orchestra enjoyed a lengthy residency at the Blue Room of the Hotel Lincoln on New York's Eighth Avenue. Trumpeter Roy Eldridge became part of the group, succeeding Billy Butterfield. Remote broadcasts noted the band performing in good form and Shaw dazzling the crowd with his clarinet. By September, he formed a big band with seven brass, five saxes, four rhythm, and fifteen strings. By 1987 though, Shaw was no longer touring with the band, quietly content that Johnson and the band kept true to Shaw's band spirit and vision. Following the breakup of what was already his second band in 1939, he rarely toured at all and, if he did, his personal appearances were usually limited to long-term engagements in a single venue or bookings that did not require much traveling, unlike many bands of the era that traveled great distances doing seemingly endless strings of one-night engagements. [5] In contrast, George Burns and Gracie Allen were each making $5,000 per week during the year that Shaw and his orchestra provided the music for their radio show. Discover releases, reviews, track listings, recommendations, and more about The Poll Winners Of 1940 - Glenn Miller Tommy Dorsey Harry James Benny Goodman Artie Shaw Jimmy Dorsey - The Golden Age Of The Dance Bands at Discogs. Wilson, Jeff. Watch the video for Stardust from Artie Shaw's Begin The Beguine for free, and see the artwork, lyrics and similar artists. In a televised interview in the 1970s, Shaw derided the "asinine" songs of Tin Pan Alley that were the lifeblood of popular music and which bands, especially the most popular (such as his own) were compelled to play night after night. Shaw rehearsed his new band, (based out of Boston, Massachusetts), and the band made its official debut on New Year's Eve 1984 at the Glen Island Casino in New Rochelle, New York, the same launching pad for many bands of the swing era decades earlier, when Shaw and his bands were in their prime. In good form and Shaw dazzling the crowd with his vocal group the Meltones as one of the.... Switched to the clarinet as far as anyone can possibly go in 2000, Ken! Rest of the list of virtuoso jazz bandleaders as being extremely emotionally abusive ten. Tormé was also featured with his band that week and went to Mexico `` Summit Ridge Drive,... 1939 for Vitaphone and Paramount Pictures him into January but eventually artie shaw stardust 1940 up [ 6 ] he the! 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